The NBA banned the original Air Jordan for not meeting the league’s stringent policy on uniforms and colours. Jordan wore them anyway and faced a $5,000-per-game fine as a result. Recognising a unique marketing opportunity when it presented itself, Nike happily paid the fine. And MJ rocked them all the way to his Rookie of the Year honour. This Air Jordan was the only one in the series to feature the familiar Nike Swoosh logo. And predating the Jumpman logo, the OG shoe featured the Wings logo – a basketball with wings stretching from both sides and “Air Jordan” printed above the ball. Nike filed the Wings logo as a trademark on May 7, 1985. Leather overlays on the upper offered durability and easy colour blocking, and a perforated leather toe box lent ventilation.

While this nod to internationally renowned Italian style was the first – and to date, only – Air Jordan produced in that country, it wasn’t the only first for the franchise. Bruce Kilgore, who also had designed the Air Force One, made the AJ II the first to not feature Nike’s familiar Swoosh logo. “Nike” appeared across the top of the heel counter, and the Wings logo of the original Air Jordan was on the tongue. The AJ II shared a silhouette with the Nike Air Python that released in 1987, including a faux lizard skin upper and swooping lines that resembled those of a sports car. Known among sneaker collectors as the first “luxury” basketball shoe, the AJ II paved the way for the heat that would accompany the Air Jordan III.

While this nod to internationally renowned Italian style was the first – and to date, only – Air Jordan produced in that country, it wasn’t the only first for the franchise. Bruce Kilgore, who also had designed the Air Force One, made the AJ II the first to not feature Nike’s familiar Swoosh logo. “Nike” appeared across the top of the heel counter, and the Wings logo of the original Air Jordan was on the tongue. The AJ II shared a silhouette with the Nike Air Python that released in 1987, including a faux lizard skin upper and swooping lines that resembled those of a sports car. Known among sneaker collectors as the first “luxury” basketball shoe, the AJ II paved the way for the heat that would accompany the Air Jordan III.

Prior to the AJ III, basketball shoes were mostly just basketball shoes. Hatfield knew Jordan was into luxury and rolled that into the designs for Jordan’s signature shoes. While the Air Jordan II featured luxurious elements reflected in its Italian construction, Hatfield took this concept to a new level, even involving Jordan in the search for the right leathers to use on the shoe. Another first on the Air Jordan III; it was the first Jordan signature sneaker to feature the now-famous Jumpman logo. Finally, the shoe was the first Air Jordan to feature a visible Air-Sole unit under the heel. It retained Nike’s “Air” embroidery on the heel, encapsulated Air in the forefoot, and a polyurethane midsole for cushioning.

Prior to the AJ III, basketball shoes were mostly just basketball shoes. Hatfield knew Jordan was into luxury and rolled that into the designs for Jordan’s signature shoes. While the Air Jordan II featured luxurious elements reflected in its Italian construction, Hatfield took this concept to a new level, even involving Jordan in the search for the right leathers to use on the shoe. Another first on the Air Jordan III; it was the first Jordan signature sneaker to feature the now-famous Jumpman logo. Finally, the shoe was the first Air Jordan to feature a visible Air-Sole unit under the heel. It retained Nike’s “Air” embroidery on the heel, encapsulated Air in the forefoot, and a polyurethane midsole for cushioning.

The sneaker world was introduced to nubuck with the upper of the Air Jordan IV. The AJ IV featured mesh for the first time, increasing breathability. A lean triangular plastic piece attached to the nubuck heel was connected to a hard plastic lace holder. The lace holder at the forefoot added lockdown. A plastic heel tab that read “Nike Air” was similar to that of the AJ III, and a plastic grid pattern that lay over the breathable mesh and behind the triangular piece. Mars Blackmon returned to the ad campaign marketing the shoe, continuing a relationship that has continued – to varying degrees – well into the 21st century. Ten years after its original release, Nike retro’d the AJ IV in 1999; it sold out immediately.

The sneaker world was introduced to nubuck with the upper of the Air Jordan IV. The AJ IV featured mesh for the first time, increasing breathability. A lean triangular plastic piece attached to the nubuck heel was connected to a hard plastic lace holder. The lace holder at the forefoot added lockdown. A plastic heel tab that read “Nike Air” was similar to that of the AJ III, and a plastic grid pattern that lay over the breathable mesh and behind the triangular piece. Mars Blackmon returned to the ad campaign marketing the shoe, continuing a relationship that has continued – to varying degrees – well into the 21st century. Ten years after its original release, Nike retro’d the AJ IV in 1999; it sold out immediately.

An embroidered Jumpman logo graced a tongue that, in certain colourways, also featured 3M reflectivity on the outside. “Air Jordan” was stitched inside. Another first on the AJ V was an offset ankle collar, designed to boost support while offering flexibility where a player needed it most. The Grape Purple/Emerald colourway was the first time those colours had appeared on a basketball shoe. During that season, Jordan earned his sixth straight All-Star Game appearance, won his fourth straight league scoring title, and was named to the All-NBA First Team and All-Defensive First Team. He and his Bulls were not able to get past Detroit in the conference finals, but they were knocking on the proverbial door to something truly special.

An embroidered Jumpman logo graced a tongue that, in certain colourways, also featured 3M reflectivity on the outside. “Air Jordan” was stitched inside. Another first on the AJ V was an offset ankle collar, designed to boost support while offering flexibility where a player needed it most. The Grape Purple/Emerald colourway was the first time those colours had appeared on a basketball shoe. During that season, Jordan earned his sixth straight All-Star Game appearance, won his fourth straight league scoring title, and was named to the All-NBA First Team and All-Defensive First Team. He and his Bulls were not able to get past Detroit in the conference finals, but they were knocking on the proverbial door to something truly special.

Most apparent on the AJ VI was the leather overlays, which upon careful inspection reveal a “2” and a “3” to honor MJ’s uniform number. Carrying over from the AJ V were the sculpted midsole, Vis-Air heel cushioning, and translucent (“frosty”) outsole. And while the original releases consisted of leather, the Black/Infrared colorway included rich suede. While MJ wore the shoe, he averaged 31.5 points per game on his way to a fifth straight scoring title. He also earned first-team All-NBA, first-team All-Defense, and a seventh straight All Star appearance to go along with the league MVP honor. And to cap it off, MJ earned Finals MVP, all of which likely paled in comparison to clutching that trophy.

Most apparent on the AJ VI was the leather overlays, which upon careful inspection reveal a “2” and a “3” to honor MJ’s uniform number. Carrying over from the AJ V were the sculpted midsole, Vis-Air heel cushioning, and translucent (“frosty”) outsole. And while the original releases consisted of leather, the Black/Infrared colorway included rich suede. While MJ wore the shoe, he averaged 31.5 points per game on his way to a fifth straight scoring title. He also earned first-team All-NBA, first-team All-Defense, and a seventh straight All Star appearance to go along with the league MVP honor. And to cap it off, MJ earned Finals MVP, all of which likely paled in comparison to clutching that trophy.

Among other changes in the Air Jordan series, ads shifted from MJ’s collaboration with Mars Blackmon to Michael and Bugs Bunny. One commercial featured the duo both wearing the AJ VII beating another team in a game of hoops. MJ wore the Olympic-inspired colorway to a gold medal with the incomparable “Dream Team” at the 1992 summer games in Barcelona. That pair featured the number 9 on the heel, MJ’s jersey number on Team USA. He won his sixth straight scoring title while wearing the AJ VII and was again named first team All-NBA, first team All-Defense and an All-Star for the seventh consecutive time. He was voted league MVP for the second straight year and won his second NBA Championship ring and Finals MVP with Chicago.

Among other changes in the Air Jordan series, ads shifted from MJ’s collaboration with Mars Blackmon to Michael and Bugs Bunny. One commercial featured the duo both wearing the AJ VII beating another team in a game of hoops. MJ wore the Olympic-inspired colorway to a gold medal with the incomparable “Dream Team” at the 1992 summer games in Barcelona. That pair featured the number 9 on the heel, MJ’s jersey number on Team USA. He won his sixth straight scoring title while wearing the AJ VII and was again named first team All-NBA, first team All-Defense and an All-Star for the seventh consecutive time. He was voted league MVP for the second straight year and won his second NBA Championship ring and Finals MVP with Chicago.

One aesthetic twist was the carpeted circular Jumpman logo on the tongue; the only such appearance in the Jordan line. The shoe consisted of a thermoplastic polyurethane (TPU) support and a polycarbonate plate, along with anti-inversion crossing straps to lock down the foot. Extra padding added protection but also added weight. Jordan originally produced three colorways of the AJ VIII: White/Black/Red (leather), and two suede versions, Black/Red and Black/Aqua. The Aqua, which MJ wore in the February 1993 All-Star Game, remains highly sought after, selling out immediately when it was reissued in 2007. The player netted first-team All-NBA, first-team All-Defense, and made his eighth consecutive All-Star Game. Wearing the AJ VIII, MJ scored 32.6 points per game to garner his seventh straight scoring title and was named NBA Finals MVP for the third straight year.

One aesthetic twist was the carpeted circular Jumpman logo on the tongue; the only such appearance in the Jordan line. The shoe consisted of a thermoplastic polyurethane (TPU) support and a polycarbonate plate, along with anti-inversion crossing straps to lock down the foot. Extra padding added protection but also added weight. Jordan originally produced three colorways of the AJ VIII: White/Black/Red (leather), and two suede versions, Black/Red and Black/Aqua. The Aqua, which MJ wore in the February 1993 All-Star Game, remains highly sought after, selling out immediately when it was reissued in 2007. The player netted first-team All-NBA, first-team All-Defense, and made his eighth consecutive All-Star Game. Wearing the AJ VIII, MJ scored 32.6 points per game to garner his seventh straight scoring title and was named NBA Finals MVP for the third straight year.

The AJ IX became the first Air Jordan that the man himself would never wear in competition. Though, ironically, it’s the AJ IX that’s depicted on the statue of MJ outside the United Center in Chicago. Nike built the AJ IX’s upper with leather, nubuck, and mesh. The nubuck area wrapped around the toe and included reflective sparkles in three of the four original colorways. A polyurethane midsole sat atop the rubber outsole in a tooth-like design. The back of the shoe featured a molded plastic globe graphic with a Jumpman logo. The sole of the shoes featured words in different languages, symbolizing MJ’s popularity expanding globally. He retired from baseball on March 10, 1995, and returned to the hardwood on the 19th. He wore 45 for the remainder of that season – his 23 had been retired – and wore the next shoe in his signature line.

The AJ IX became the first Air Jordan that the man himself would never wear in competition. Though, ironically, it’s the AJ IX that’s depicted on the statue of MJ outside the United Center in Chicago. Nike built the AJ IX’s upper with leather, nubuck, and mesh. The nubuck area wrapped around the toe and included reflective sparkles in three of the four original colorways. A polyurethane midsole sat atop the rubber outsole in a tooth-like design. The back of the shoe featured a molded plastic globe graphic with a Jumpman logo. The sole of the shoes featured words in different languages, symbolizing MJ’s popularity expanding globally. He retired from baseball on March 10, 1995, and returned to the hardwood on the 19th. He wore 45 for the remainder of that season – his 23 had been retired – and wore the next shoe in his signature line.

Nike released eight original colorways of the AJ X. The steel and powder blue uppers were made of full-grain leather; the Black/Shadow upper was made of suede. The other original colorways were part of the city series that featured five color schemes of NBA teams: Chicago, Orlando, New York, Sacramento, and Seattle. These have become some of the most sought-after Air Jordans. The “Chicago,” for example, has sold for thousands of dollars online. Nine days after Jordan told the world “I’m back,” he walked into Madison Square Garden and singed the Knicks for 55 points. MJ guided his Bulls back to the playoffs, but the Orlando Magic – led by Penny Hardaway and Shaquille O’Neal – dismissed them in six games in the Eastern Conference semi-finals.

Nike released eight original colorways of the AJ X. The steel and powder blue uppers were made of full-grain leather; the Black/Shadow upper was made of suede. The other original colorways were part of the city series that featured five color schemes of NBA teams: Chicago, Orlando, New York, Sacramento, and Seattle. These have become some of the most sought-after Air Jordans. The “Chicago,” for example, has sold for thousands of dollars online. Nine days after Jordan told the world “I’m back,” he walked into Madison Square Garden and singed the Knicks for 55 points. MJ guided his Bulls back to the playoffs, but the Orlando Magic – led by Penny Hardaway and Shaquille O’Neal – dismissed them in six games in the Eastern Conference semi-finals.

MJ wore the Black/Varsity Royal/White version in the movie Space Jam. Jordan also wore the same “Air Jordan XI Space Jam” shoe in the playoffs. Many Jordan brand athletes have worn the AJ XI over the years; Ray Allen sported a White/Green/Gold version during the Celtics’ 2008-09 season. When the AJ XI was made, MJ was quoted as saying someone would one day wear them with a tuxedo. Months later, Boyz II Men appeared at an awards show wearing tuxes and AJ XIs. While wearing the AJ XI, MJ was voted to be an All-Star for the 10th time, the All-Star game MVP for the second time, scoring champion for the eighth time, and was again league MVP. His Bulls won the NBA title for the fourth time, and as he was for the previous three championships, Jordan was again the Finals MVP.

MJ wore the Black/Varsity Royal/White version in the movie Space Jam. Jordan also wore the same “Air Jordan XI Space Jam” shoe in the playoffs. Many Jordan brand athletes have worn the AJ XI over the years; Ray Allen sported a White/Green/Gold version during the Celtics’ 2008-09 season. When the AJ XI was made, MJ was quoted as saying someone would one day wear them with a tuxedo. Months later, Boyz II Men appeared at an awards show wearing tuxes and AJ XIs. While wearing the AJ XI, MJ was voted to be an All-Star for the 10th time, the All-Star game MVP for the second time, scoring champion for the eighth time, and was again league MVP. His Bulls won the NBA title for the fourth time, and as he was for the previous three championships, Jordan was again the Finals MVP.

Originally released in five colorways, the AJ XII’s offerings included the Black/Red that MJ wore during Game 5 of the 1997 NBA Finals against the Utah Jazz, a game that came to be known as “The Flu Game.” Michael had fallen ill in the middle of the night prior to that game, and his appearance was questionable as he lay on a table in the locker room right up until game time. But he dragged himself up and onto the court. Not only did he play, he created a performance for the ages as he led all scorers with 38 points. Other colors of the AJ XII saw the floor during that season as well. Jordan wore the Black/White shoe during 1997 playoffs. With the AJ XII on his feet, MJ made his 11th All-Star game, won his ninth NBA scoring title and was named first-team All-NBA and first-team All-Defense. He won his fifth NBA title and NBA Finals MVP while wearing the XII.

Originally released in five colorways, the AJ XII’s offerings included the Black/Red that MJ wore during Game 5 of the 1997 NBA Finals against the Utah Jazz, a game that came to be known as “The Flu Game.” Michael had fallen ill in the middle of the night prior to that game, and his appearance was questionable as he lay on a table in the locker room right up until game time. But he dragged himself up and onto the court. Not only did he play, he created a performance for the ages as he led all scorers with 38 points. Other colors of the AJ XII saw the floor during that season as well. Jordan wore the Black/White shoe during 1997 playoffs. With the AJ XII on his feet, MJ made his 11th All-Star game, won his ninth NBA scoring title and was named first-team All-NBA and first-team All-Defense. He won his fifth NBA title and NBA Finals MVP while wearing the XII.

A carbon fiber shank in the midfoot lent torsional rigidity, and an asymmetrical collar was designed to balance ankle support with flexibility needed for hard cuts. The XIII originally was released in five colorways for the mid and two for the low. MJ favored the white-based colorways at home and the black-based on the road. He wore the mid through the 1997-98 season and into the playoffs (until he introduced the AJ XIV in the 1998 finals against Utah, beating the Jazz for a third straight championship). That season, MJ was voted to his 12th All-Star Game, where he again earned MVP. He also won his record-setting 10th straight league scoring title and was named first-team All-NBA and first-team All-Defense. MJ’s sixth NBA championship would net him his sixth NBA Finals MVP honor as well.

A carbon fiber shank in the midfoot lent torsional rigidity, and an asymmetrical collar was designed to balance ankle support with flexibility needed for hard cuts. The XIII originally was released in five colorways for the mid and two for the low. MJ favored the white-based colorways at home and the black-based on the road. He wore the mid through the 1997-98 season and into the playoffs (until he introduced the AJ XIV in the 1998 finals against Utah, beating the Jazz for a third straight championship). That season, MJ was voted to his 12th All-Star Game, where he again earned MVP. He also won his record-setting 10th straight league scoring title and was named first-team All-NBA and first-team All-Defense. MJ’s sixth NBA championship would net him his sixth NBA Finals MVP honor as well.

Hatfield and Smith modeled the XIV after MJ’s love for exotic sports cars, inspired specifically by a Ferrari. The AJ XIV featured a Ferrari-like shield featuring a Jumpman logo, just one of seven Jumpman logos on each shoe; a total of 14 per pair. The logo is visible on the side heel, outsole, insole, back heel, toe, and on the metal lace tips. The shoe’s asymmetrical collar was designed to blend ankle support with flexibility, while Hatfield and Smith worked breathable mesh vents into the outsole. They also included dual Zoom Air units into the outsole, and the low-profile heel and forefoot gave the AJ XIV a sleek silhouette as well as a comfortable ride.

Hatfield and Smith modeled the XIV after MJ’s love for exotic sports cars, inspired specifically by a Ferrari. The AJ XIV featured a Ferrari-like shield featuring a Jumpman logo, just one of seven Jumpman logos on each shoe; a total of 14 per pair. The logo is visible on the side heel, outsole, insole, back heel, toe, and on the metal lace tips. The shoe’s asymmetrical collar was designed to blend ankle support with flexibility, while Hatfield and Smith worked breathable mesh vents into the outsole. They also included dual Zoom Air units into the outsole, and the low-profile heel and forefoot gave the AJ XIV a sleek silhouette as well as a comfortable ride.

The heel counter featured numbers significant to MJ’s career: 23.6.15 represented his jersey number, the number of titles he won, and the shoe model. The heel counter extended to the outsole and read 2.17, Jordan’s birthday. The XV featured a hidden speed-lacing system, a seamless dynamic-fit sleeve, rubber herringbone traction pods, an injected thermoplastic polyurethane (TPU) external heel counter and a breathable leather pattern. The XV also featured a full Zoom Air for low-profile cushioning. The original was released in four colorways in 1999-2000. The XV was also released in player-exclusive colors including White/Green, White/Carolina Blue, White/Red and White/Purple. Several Team Jordan athletes sported the Air Jordan XV: Mike Bibby, Michael Finley, Ray Allen, Derek Anderson, and Reggie Miller.

The heel counter featured numbers significant to MJ’s career: 23.6.15 represented his jersey number, the number of titles he won, and the shoe model. The heel counter extended to the outsole and read 2.17, Jordan’s birthday. The XV featured a hidden speed-lacing system, a seamless dynamic-fit sleeve, rubber herringbone traction pods, an injected thermoplastic polyurethane (TPU) external heel counter and a breathable leather pattern. The XV also featured a full Zoom Air for low-profile cushioning. The original was released in four colorways in 1999-2000. The XV was also released in player-exclusive colors including White/Green, White/Carolina Blue, White/Red and White/Purple. Several Team Jordan athletes sported the Air Jordan XV: Mike Bibby, Michael Finley, Ray Allen, Derek Anderson, and Reggie Miller.

The shoe was styled with the boardroom in mind. It had a patent leather toe rand – taken from the AJ XI – and the full-grain leather and breathable mesh upper was covered by a unique removable shroud that allowed the AJ XVI to transition from the hardwood to the halls of power. The shroud was the first such lace cover on an Air Jordan since the AJ VIII and began a run of five Air Jordans that would cover the laces. The XVI included a magnetic fastening cover for added lockdown. Four colorways of the AJ XVI were released in 2001. The Black/Red and White/Navy versions featured patent leather toes and the wheat model had a rich suede upper. The Cherrywood color consisted of full-grain leather. Two low versions were released as well: White/Red and Black/Black. Considered to be one of the most stylish off-court Air Jordans, Michael wore the XVI with a suit in ads for his brand back in 2001.

The shoe was styled with the boardroom in mind. It had a patent leather toe rand – taken from the AJ XI – and the full-grain leather and breathable mesh upper was covered by a unique removable shroud that allowed the AJ XVI to transition from the hardwood to the halls of power. The shroud was the first such lace cover on an Air Jordan since the AJ VIII and began a run of five Air Jordans that would cover the laces. The XVI included a magnetic fastening cover for added lockdown. Four colorways of the AJ XVI were released in 2001. The Black/Red and White/Navy versions featured patent leather toes and the wheat model had a rich suede upper. The Cherrywood color consisted of full-grain leather. Two low versions were released as well: White/Red and Black/Black. Considered to be one of the most stylish off-court Air Jordans, Michael wore the XVI with a suit in ads for his brand back in 2001.

A CD-ROM and metal briefcase also were included, contributing to making the AJ XVII the priciest Air Jordan ever produced at the time, with a suggested retail price of $200. It was the first and only Air Jordan to break the $200 barrier for all versions until the XX8 in 2013. One slick innovation lay in the eyelets. If laced properly, the wearer could spell out “XVII” with the laces along the medial (inner) and lateral (outer) sides of the shoes. The AJ XVII had multiple versions. Three colorways were released for mids: White/Blue, Black/Black, and White/Red. Another AJ XVII featured metallic copper and faux alligator leather on the heel. Three lows were released, including a White/Lightning All-Star version. Capping the AJ XVII run were three colorways of super low mule slip-ons. In Jordan’s first year back on the court with the Wizards, he averaged nearly 23 points per game. In January 2002, he scored his 30,000th point – fittingly against the Chicago Bulls – while wearing the AJ XVII. At his 13th All-Star Game, he wore the Air Jordan XVII Low in White/Lightning.

A CD-ROM and metal briefcase also were included, contributing to making the AJ XVII the priciest Air Jordan ever produced at the time, with a suggested retail price of $200. It was the first and only Air Jordan to break the $200 barrier for all versions until the XX8 in 2013. One slick innovation lay in the eyelets. If laced properly, the wearer could spell out “XVII” with the laces along the medial (inner) and lateral (outer) sides of the shoes. The AJ XVII had multiple versions. Three colorways were released for mids: White/Blue, Black/Black, and White/Red. Another AJ XVII featured metallic copper and faux alligator leather on the heel. Three lows were released, including a White/Lightning All-Star version. Capping the AJ XVII run were three colorways of super low mule slip-ons. In Jordan’s first year back on the court with the Wizards, he averaged nearly 23 points per game. In January 2002, he scored his 30,000th point – fittingly against the Chicago Bulls – while wearing the AJ XVII. At his 13th All-Star Game, he wore the Air Jordan XVII Low in White/Lightning.

It featured a one-piece leather upper, a carbon fiber comfort control plate incorporated into the midsole, a hand-stitched outsole, dual-layer heel and low-profile Zoom Air cushioning in the forefoot. The AJ XVII was released in a pull-out box with a cut-out “18” on the lid. It included a brush for the black suede colorway, a towel for cleaning, and the Air Jordan XVIII Driver’s Manual booklet. The brand did a “Love” campaign surrounding the release of the AJ XVIII, celebrating MJ’s career and final NBA season. Jordan released three colorways of the AJ XVIII in 2003. The Black/Royal was made of suede, while the White/Royal and White/Red were leather. Two lows were released in Black/Black and White/University Blue. Along with the mids and lows, Jordan released the Air Jordan 18.5. The primary difference in design was a perforated Jumpman logo on the side of the upper. In 2002-03, Michael Jordan wore the AJ XVIII and was selected to his 14th and final NBA All-Star Game. Other NBA players wearing the shoe included Richard Hamilton, Scottie Pippen, Ray Allen, Mike Bibby, Michael Finley, and Carmelo Anthony.

It featured a one-piece leather upper, a carbon fiber comfort control plate incorporated into the midsole, a hand-stitched outsole, dual-layer heel and low-profile Zoom Air cushioning in the forefoot. The AJ XVII was released in a pull-out box with a cut-out “18” on the lid. It included a brush for the black suede colorway, a towel for cleaning, and the Air Jordan XVIII Driver’s Manual booklet. The brand did a “Love” campaign surrounding the release of the AJ XVIII, celebrating MJ’s career and final NBA season. Jordan released three colorways of the AJ XVIII in 2003. The Black/Royal was made of suede, while the White/Royal and White/Red were leather. Two lows were released in Black/Black and White/University Blue. Along with the mids and lows, Jordan released the Air Jordan 18.5. The primary difference in design was a perforated Jumpman logo on the side of the upper. In 2002-03, Michael Jordan wore the AJ XVIII and was selected to his 14th and final NBA All-Star Game. Other NBA players wearing the shoe included Richard Hamilton, Scottie Pippen, Ray Allen, Mike Bibby, Michael Finley, and Carmelo Anthony.

It featured a carbon fiber shank plate for torsional rigidity, a Phylon lightweight-foam midsole, patent leather toe box, a Velcro heel strap, and plastic lace-locks. A double-stacked heel and full-length Zoom Air ensured responsive, low-profile cushioning. The AJ XIX’s unique box opened from the middle, and each shoe came in a netted bag. Five colors of the original AJ XIX included the Black/Red, White/White/Grey, White/Black, White/Red, and White/Navy. Four AJ XIX SE colorways were released, as were four low-top models. Carmelo Anthony, Gary Payton, Jason Kidd, Michael Finley, Mike Bibby, Ray Allen, and Richard Hamilton were among the players who wore the Air Jordan XIX.

It featured a carbon fiber shank plate for torsional rigidity, a Phylon lightweight-foam midsole, patent leather toe box, a Velcro heel strap, and plastic lace-locks. A double-stacked heel and full-length Zoom Air ensured responsive, low-profile cushioning. The AJ XIX’s unique box opened from the middle, and each shoe came in a netted bag. Five colors of the original AJ XIX included the Black/Red, White/White/Grey, White/Black, White/Red, and White/Navy. Four AJ XIX SE colorways were released, as were four low-top models. Carmelo Anthony, Gary Payton, Jason Kidd, Michael Finley, Mike Bibby, Ray Allen, and Richard Hamilton were among the players who wore the Air Jordan XIX.

The shoe featured a ventilated sphere lining, an integrated midfoot support strap, a floating ankle leash, and an impact distribution plate. The midfoot strap offered lockdown while hiding the lacing system. Jordan introduced in the AJ XX the Independent Podular Suspension, a free-moving targeted cushioning technology. The heel bore the numbers 85 and 05, signifying the year the Air Jordan line was born and the year the XX released. The outsole of the XX included 20 herringbone pods that displayed the heritage of the Air Jordan franchise. An interesting highlight of the AJ XX was the laser-etched logo treatment on the strap, created by Mark Smith, to pay homage to Jordan’s life. Ray Allen and Carmelo Anthony were among the pros who wore the XX in the 2004-05 season.

The shoe featured a ventilated sphere lining, an integrated midfoot support strap, a floating ankle leash, and an impact distribution plate. The midfoot strap offered lockdown while hiding the lacing system. Jordan introduced in the AJ XX the Independent Podular Suspension, a free-moving targeted cushioning technology. The heel bore the numbers 85 and 05, signifying the year the Air Jordan line was born and the year the XX released. The outsole of the XX included 20 herringbone pods that displayed the heritage of the Air Jordan franchise. An interesting highlight of the AJ XX was the laser-etched logo treatment on the strap, created by Mark Smith, to pay homage to Jordan’s life. Ray Allen and Carmelo Anthony were among the pros who wore the XX in the 2004-05 season.

One innovative component of the AJ XXI was the evolution of the Independent Podular Suspension technology. The wearer could choose between Zoom Air or encapsulated Air cushioning in the heel. Two original colorways of the Air Jordan XXI released in 2006. The White/Red model consisted of full-grain leather, while the Red/Black was constructed of rich suede. Two low versions also were released in white and in black.

The commercial for the AJ XXI featured young athletes reenacting famous moments from Michael’s career, including the shot on Craig Ehlo, recreations from the Slam Dunk contests, the “Last Shot,” and the “Michael shrug.” The tagline of the commercial was “Let your game speak.”

One innovative component of the AJ XXI was the evolution of the Independent Podular Suspension technology. The wearer could choose between Zoom Air or encapsulated Air cushioning in the heel. Two original colorways of the Air Jordan XXI released in 2006. The White/Red model consisted of full-grain leather, while the Red/Black was constructed of rich suede. Two low versions also were released in white and in black.

The commercial for the AJ XXI featured young athletes reenacting famous moments from Michael’s career, including the shot on Craig Ehlo, recreations from the Slam Dunk contests, the “Last Shot,” and the “Michael shrug.” The tagline of the commercial was “Let your game speak.”

The shoe featured a triangular quilted pattern on the collar and a seamless bootie that maximized comfort and breathability. It featured zigzag stitching inspired by the jet. The first titanium-coated shank plate was built into the XXII, as were titanium lace loops/lace locks. An invisible Independent Podular Suspension system, updated from the previous Air Jordan cushioning system, offered responsive double-stacked Zoom Air low-profile cushioning or shock-absorbing encapsulated Air. A fresh chevron pattern was introduced to the outsole to improve traction.

The XXII was released during the 2007 All-Star weekend on MJ’s 44th birthday, Feb. 17. Fifteen original colorways of the XXII included a special edition made out of basketball leather. Other colorways represented Atlanta, Dallas, Denver, Detroit, and Seattle.

The shoe featured a triangular quilted pattern on the collar and a seamless bootie that maximized comfort and breathability. It featured zigzag stitching inspired by the jet. The first titanium-coated shank plate was built into the XXII, as were titanium lace loops/lace locks. An invisible Independent Podular Suspension system, updated from the previous Air Jordan cushioning system, offered responsive double-stacked Zoom Air low-profile cushioning or shock-absorbing encapsulated Air. A fresh chevron pattern was introduced to the outsole to improve traction.

The XXII was released during the 2007 All-Star weekend on MJ’s 44th birthday, Feb. 17. Fifteen original colorways of the XXII included a special edition made out of basketball leather. Other colorways represented Atlanta, Dallas, Denver, Detroit, and Seattle.

It has the lowest-profile midsole of any of the Air Jordans, adding a responsive performance element. Zoom Air and tuned IPS pillars combined to lend cushioning. The tongue of each shoe features different logos: the left has a Jumpman and the right has a “23” logo. The outsole was modeled after MJ’s thumbprint. This also was seen on the inside of the tongue to represent the impact and identity of the man himself, whose signature was included on the toe box

To create buzz around the XXIII, 23 pairs of the Titanium model were released at the top 23 locations in the United States, retailing for $230 on Jan. 25, 2008. An All-Star colorway was released that February, and other colorways included the White/Red, Grey/White/Black/Gold, and Stealth that released shortly after. A series of three more versions were produced to commemorate MJ’s three teams: Black/University Blue/White for UNC, Black/Red/White for the Bulls, and Black/Royal/White for the Wizards. After the general releases, 23 pairs of a Black/Red XXIII were released at the top 23 locations just like the Titanium launch.

It has the lowest-profile midsole of any of the Air Jordans, adding a responsive performance element. Zoom Air and tuned IPS pillars combined to lend cushioning. The tongue of each shoe features different logos: the left has a Jumpman and the right has a “23” logo. The outsole was modeled after MJ’s thumbprint. This also was seen on the inside of the tongue to represent the impact and identity of the man himself, whose signature was included on the toe box

To create buzz around the XXIII, 23 pairs of the Titanium model were released at the top 23 locations in the United States, retailing for $230 on Jan. 25, 2008. An All-Star colorway was released that February, and other colorways included the White/Red, Grey/White/Black/Gold, and Stealth that released shortly after. A series of three more versions were produced to commemorate MJ’s three teams: Black/University Blue/White for UNC, Black/Red/White for the Bulls, and Black/Royal/White for the Wizards. After the general releases, 23 pairs of a Black/Red XXIII were released at the top 23 locations just like the Titanium launch.

The upper has a sleek pleated satin material for increased durability, and greater ventilation and lockdown. The lightweight design contours to the foot to maximize responsiveness and support. The AJ 2009 has a Phylon lightweight-foam midsole for impact absorption and forefoot Zoom Air for cushioning. The design of the thermoplastic polyurethane (TPU) chassis is inspired by blown glass, lending a unique look to every shoe. The carbon fiber arch plate assists midfoot support and performance by lending torsional rigidity.

As with the XXIII, Articulated Propulsion Technology cushioning allows for quick lateral movement on the court. The herringbone outsole includes flex grooves for natural motion and multi-directional traction. The 2009 launched in two colorways: White/Black/Grey and Black/Varsity Red. It was then released in the Black/Metallic Gold S23 colorway, which was limited to 2,009 pairs. Later in 2009, the Black/Varsity Red/White/Metallic Gold Hall of Fame colorway was released to commemorate MJ’s induction.

The upper has a sleek pleated satin material for increased durability, and greater ventilation and lockdown. The lightweight design contours to the foot to maximize responsiveness and support. The AJ 2009 has a Phylon lightweight-foam midsole for impact absorption and forefoot Zoom Air for cushioning. The design of the thermoplastic polyurethane (TPU) chassis is inspired by blown glass, lending a unique look to every shoe. The carbon fiber arch plate assists midfoot support and performance by lending torsional rigidity.

As with the XXIII, Articulated Propulsion Technology cushioning allows for quick lateral movement on the court. The herringbone outsole includes flex grooves for natural motion and multi-directional traction. The 2009 launched in two colorways: White/Black/Grey and Black/Varsity Red. It was then released in the Black/Metallic Gold S23 colorway, which was limited to 2,009 pairs. Later in 2009, the Black/Varsity Red/White/Metallic Gold Hall of Fame colorway was released to commemorate MJ’s induction.

The 2010 has a clean toe and features a forefoot that is independent from the rest of the shoe, though a six-row stitch holds the toe piece together. It features clear thermoplastic polyurethane (TPU) in only the essential areas on the shoe. The Phylon lightweight-foam midsole is carved out and contoured for the best on-court performance. A full-length Zoom Air unit is bottom-loaded into the outsole for low-profile shock dispersion. This was borrowed from the world of running shoes and hadn’t been seen in basketball until now.

Light and low to the ground, the 2010 was built to feel broken-in on the first wear. It has a thinner Zoom Air bag that provides the player with a better ability to feel the floor. The sneaker caters to the modern basketball player who needs to get up and down the court faster and more often. It features a comfortable, glove-like fit assuring the shoe fits snugly against the foot. The protruding outrigger provides excellent lateral stability. This 25th Air Jordan is another Considered product, which avoids using harmful toxins and is built using fewer glues, and less stitching, energy, and waste while using environmentally friendly materials.

The 2010 has a clean toe and features a forefoot that is independent from the rest of the shoe, though a six-row stitch holds the toe piece together. It features clear thermoplastic polyurethane (TPU) in only the essential areas on the shoe. The Phylon lightweight-foam midsole is carved out and contoured for the best on-court performance. A full-length Zoom Air unit is bottom-loaded into the outsole for low-profile shock dispersion. This was borrowed from the world of running shoes and hadn’t been seen in basketball until now.

Light and low to the ground, the 2010 was built to feel broken-in on the first wear. It has a thinner Zoom Air bag that provides the player with a better ability to feel the floor. The sneaker caters to the modern basketball player who needs to get up and down the court faster and more often. It features a comfortable, glove-like fit assuring the shoe fits snugly against the foot. The protruding outrigger provides excellent lateral stability. This 25th Air Jordan is another Considered product, which avoids using harmful toxins and is built using fewer glues, and less stitching, energy, and waste while using environmentally friendly materials.

There are two cushioning options with the AJ 2011:

• The “Explosive” option consists of red insoles for the explosive player. They feature soft Cushlon foam with a full-length air bag, creating a very responsive option for your feet.
• The “Quick” alternative entails a blue insole of Phylon lightweight foam and Zoom Air low-profile cushioning in the heel and forefoot, as this option is more about impact protection.

They were packaged with the left shoe as the “Explosive” and the right as the “Quick,” so wearers could tell right away which one was the right choice for them. Luedecke said MJ gave the analogy of a warrior choosing his weapon before going into battle when referring to the player picking which insole to use. Regardless of your style of play, the AJ 2011 looks good and offers multiple options to customize your ride on the court.

There are two cushioning options with the AJ 2011:

• The “Explosive” option consists of red insoles for the explosive player. They feature soft Cushlon foam with a full-length air bag, creating a very responsive option for your feet.
• The “Quick” alternative entails a blue insole of Phylon lightweight foam and Zoom Air low-profile cushioning in the heel and forefoot, as this option is more about impact protection.

They were packaged with the left shoe as the “Explosive” and the right as the “Quick,” so wearers could tell right away which one was the right choice for them. Luedecke said MJ gave the analogy of a warrior choosing his weapon before going into battle when referring to the player picking which insole to use. Regardless of your style of play, the AJ 2011 looks good and offers multiple options to customize your ride on the court.

• The “Fly Around” midsole is meant for quick perimeter players who rely on speed and agility to reach the basket. It features forefoot foam and a Zoom Air low-profile cushioning unit in the heel.
• The “Fly Over” midsole is for the player who relies on elevation and off-the-ground explosiveness to impact the game. This midsole has a Zoom Air unit in the forefoot and an encapsulated Air Sole unit in the heel for a soft landing.
• The power player looking to control the inside is offered the “Fly Through” sole, with its full-length Air-Sole unit for an appropriate amount of impact protection.

Like the midsole options, the choice of which innersleeve to use depends on your style of play. The low-cut sleeve works well for the quick player seeking a greater range of motion. The high-cut sleeve enhances overall ankle support, stability, and foot protection.

Of course, the AJ 2012 couldn’t be a high-performance sneaker without a well-built outer shell. Hatfield and Luedecke brought several performance innovations to the shoe, which included the debut of a Jordan-specific carbon-weave shank plate for superior midfoot stability. The wingtip on the toe-box has tight double stitching and perforations in the shape of an “M” as a reference to the man himself. Thin lines throughout the midsole give the shoe some extra style while also serving as scratch marks that represent Jordan’s “Black Cat” nickname.

• The “Fly Around” midsole is meant for quick perimeter players who rely on speed and agility to reach the basket. It features forefoot foam and a Zoom Air low-profile cushioning unit in the heel.
• The “Fly Over” midsole is for the player who relies on elevation and off-the-ground explosiveness to impact the game. This midsole has a Zoom Air unit in the forefoot and an encapsulated Air Sole unit in the heel for a soft landing.
• The power player looking to control the inside is offered the “Fly Through” sole, with its full-length Air-Sole unit for an appropriate amount of impact protection.

Like the midsole options, the choice of which innersleeve to use depends on your style of play. The low-cut sleeve works well for the quick player seeking a greater range of motion. The high-cut sleeve enhances overall ankle support, stability, and foot protection.

Of course, the AJ 2012 couldn’t be a high-performance sneaker without a well-built outer shell. Hatfield and Luedecke brought several performance innovations to the shoe, which included the debut of a Jordan-specific carbon-weave shank plate for superior midfoot stability. The wingtip on the toe-box has tight double stitching and perforations in the shape of an “M” as a reference to the man himself. Thin lines throughout the midsole give the shoe some extra style while also serving as scratch marks that represent Jordan’s “Black Cat” nickname.

Several AJs, from the XVI through the XXI, featured a shroud or a lace covering. The sock-like shroud of the XXVIII, comprised of a high-end material from Schoeller textiles in Switzerland, featured a zipper front that folded down neatly to reveal a “2” on the medial (out) side of one shoe and a “3” on the medial of the other (denoting MJ’s iconic jersey number). It offers a blank slate that the Jordan brand promised to use for a variety of eye-catching colorways during the shoe’s life cycle.

The XXVIII featured a number of technologies:

• Zoom Air for low-profile cushioning
• All-new Jordan Flight Plate for torsional rigidity
• Dynamic Fit straps for flexible support
• Carbon fiber heel counter for support
• Mesh upper for flexibility and ventilation

The new Jordan Flight Plate that debuted in the midsole of the XXVIII was about two years in development. It consisted of a moderator plate, the Zoom Air unit, and rubber. Designers started with a Nike Shox plate, added air bags, and knew they were getting close. It evolved to consist of a carbon fiber plate designed to deflect force and maximize the Zoom Air and its low-profile responsiveness. This enabled the separation of the forefoot and heel for the first time in the Air Jordan lineage. For added stability, the XXVIII included a molded, carbon-fiber external heel counter that served as a natural extension of the Flight Plate.

Several AJs, from the XVI through the XXI, featured a shroud or a lace covering. The sock-like shroud of the XXVIII, comprised of a high-end material from Schoeller textiles in Switzerland, featured a zipper front that folded down neatly to reveal a “2” on the medial (out) side of one shoe and a “3” on the medial of the other (denoting MJ’s iconic jersey number). It offers a blank slate that the Jordan brand promised to use for a variety of eye-catching colorways during the shoe’s life cycle.

The XXVIII featured a number of technologies:

• Zoom Air for low-profile cushioning
• All-new Jordan Flight Plate for torsional rigidity
• Dynamic Fit straps for flexible support
• Carbon fiber heel counter for support
• Mesh upper for flexibility and ventilation

The new Jordan Flight Plate that debuted in the midsole of the XXVIII was about two years in development. It consisted of a moderator plate, the Zoom Air unit, and rubber. Designers started with a Nike Shox plate, added air bags, and knew they were getting close. It evolved to consist of a carbon fiber plate designed to deflect force and maximize the Zoom Air and its low-profile responsiveness. This enabled the separation of the forefoot and heel for the first time in the Air Jordan lineage. For added stability, the XXVIII included a molded, carbon-fiber external heel counter that served as a natural extension of the Flight Plate.

Hatfield designed this upper to allow structure, support, interior comfort, and exterior abrasion resistance in a style inspired by an Italian label manufacturer. This upper alleviated an issue in previous versions, where the old practice of adding layers could create problem areas.

“In previous shoes, way back when,” Hatfield added, “in order to make a shoe stronger, we would have to add another layer of something else and then that might create a hotspot, right? I mean, you could feel it.”

The fall release broke tradition for the Jordan brand, which had been releasing mid-winter since the AJ XVI in February 2000. The flexible, sock-like feel for which Hatfield aimed in the AJ XXIX came from Flight Web tunnels and strategic panels of stiffer and softer flex material. These were engineered to enhance natural motion, while webbed straps wrapped the foot and integrated with the laces at the midfoot to move with the foot. A double-lasted heel helped to cushion impact, and articulated padding in the ankle collar added to the premium look as well as the feel

Hatfield designed this upper to allow structure, support, interior comfort, and exterior abrasion resistance in a style inspired by an Italian label manufacturer. This upper alleviated an issue in previous versions, where the old practice of adding layers could create problem areas.

“In previous shoes, way back when,” Hatfield added, “in order to make a shoe stronger, we would have to add another layer of something else and then that might create a hotspot, right? I mean, you could feel it.”

The fall release broke tradition for the Jordan brand, which had been releasing mid-winter since the AJ XVI in February 2000. The flexible, sock-like feel for which Hatfield aimed in the AJ XXIX came from Flight Web tunnels and strategic panels of stiffer and softer flex material. These were engineered to enhance natural motion, while webbed straps wrapped the foot and integrated with the laces at the midfoot to move with the foot. A double-lasted heel helped to cushion impact, and articulated padding in the ankle collar added to the premium look as well as the feel

Hatfield and Smith broke the AJ XXX into five categories:

• Height – Taking another page from the past, Hatfield and Smith chose an asymmetrical collar similar to that of the AJ XII, a design aimed at blending ankle support with flexibility and mobility.
• Toe – MJ has long liked the “toe down” look of his shoes. Smith designed the toe specially for the XXX, though he did draw from the patent leather rand of the XI.
• Traction – While the FlightPlate of the XXIX became the FlightSpeed of the XXX, Hatfield and Smith described the difference as being little more than “the cut.” It’s important to maintain much of what works, they said, so they’re not asking one of Jordan’s top athletes, Russell Westbrook, to start from scratch as a test pilot every year.
• Material – Hatfield and Smith struck a careful balance between maintaining the performance features that worked, while pushing the design envelope as Jordan brand fans have come to expect. The upper is a soft and breathable mix of woven and knit materials. The “lofted knit” that lends padded comfort to the supportive ankle collar is the first such appearance in the Jordan line, according to Smith. A visual element on the midsole also offers a fresh look, adding a “galaxy” image to the shoe.
• Fit – This one-piece upper was designed to carry over the flexible feel of the XXIX, and while the downsized FlightSpeed plate was intended to bring along the technology that enabled the wearer to be quick on the court.

Hatfield and Smith broke the AJ XXX into five categories:

• Height – Taking another page from the past, Hatfield and Smith chose an asymmetrical collar similar to that of the AJ XII, a design aimed at blending ankle support with flexibility and mobility.
• Toe – MJ has long liked the “toe down” look of his shoes. Smith designed the toe specially for the XXX, though he did draw from the patent leather rand of the XI.
• Traction – While the FlightPlate of the XXIX became the FlightSpeed of the XXX, Hatfield and Smith described the difference as being little more than “the cut.” It’s important to maintain much of what works, they said, so they’re not asking one of Jordan’s top athletes, Russell Westbrook, to start from scratch as a test pilot every year.
• Material – Hatfield and Smith struck a careful balance between maintaining the performance features that worked, while pushing the design envelope as Jordan brand fans have come to expect. The upper is a soft and breathable mix of woven and knit materials. The “lofted knit” that lends padded comfort to the supportive ankle collar is the first such appearance in the Jordan line, according to Smith. A visual element on the midsole also offers a fresh look, adding a “galaxy” image to the shoe.
• Fit – This one-piece upper was designed to carry over the flexible feel of the XXIX, and while the downsized FlightSpeed plate was intended to bring along the technology that enabled the wearer to be quick on the court.

Combining Flyweave with leather in the heel gives the wearer a flexible forefoot along with support and containment in the heel, according to Kuerbis. The ankle collar trimmed down the amount of foam, removing some unneeded weight while leaving enough to focus padding and support where the ankle needs it. That gave the shoe a one-to-one fit and added to the lockdown the wearer would need, Kuerbis said.

“Nike designed its midsole FlightSpeed system to blend elements to give athletes an explosive first step as well as an extra boost in their jumps as well as their jump shot.”

The combined woven-and-leather upper also lent itself to interesting color blocking, which the Jordan brand put on display with its first Black-Red (“Bred”) Chicago-inspired release. Again borrowing from the look of the original, the AJ XXXI interspersed black and red threads throughout the weave, creating a subtle fade pattern that gave way to black on the heel. That set an ideal backdrop for the familiar red Jumpman logo that MJ made so famous. Incorporated into the weave was a subtle Nike Swoosh, the first logo to adorn MJ’s signature shoes. But the second, and MJ’s first personal logo, was the Wings logo, which is embossed on the medial/inner side of the ankle collar. It all sits atop a color gradient midsole. And while most of the AJ XXXI’s colorways follow this general template, some go for a more monochromatic look. And others, like the Black/Metallic Silver/Black, include a translucent “frosty” outsole.

Combining Flyweave with leather in the heel gives the wearer a flexible forefoot along with support and containment in the heel, according to Kuerbis. The ankle collar trimmed down the amount of foam, removing some unneeded weight while leaving enough to focus padding and support where the ankle needs it. That gave the shoe a one-to-one fit and added to the lockdown the wearer would need, Kuerbis said.

“Nike designed its midsole FlightSpeed system to blend elements to give athletes an explosive first step as well as an extra boost in their jumps as well as their jump shot.”

The combined woven-and-leather upper also lent itself to interesting color blocking, which the Jordan brand put on display with its first Black-Red (“Bred”) Chicago-inspired release. Again borrowing from the look of the original, the AJ XXXI interspersed black and red threads throughout the weave, creating a subtle fade pattern that gave way to black on the heel. That set an ideal backdrop for the familiar red Jumpman logo that MJ made so famous. Incorporated into the weave was a subtle Nike Swoosh, the first logo to adorn MJ’s signature shoes. But the second, and MJ’s first personal logo, was the Wings logo, which is embossed on the medial/inner side of the ankle collar. It all sits atop a color gradient midsole. And while most of the AJ XXXI’s colorways follow this general template, some go for a more monochromatic look. And others, like the Black/Metallic Silver/Black, include a translucent “frosty” outsole.